Monday, March 2, 2009

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Autostereograms where patterns in a particular row are repeated horizontally with the same spacing can be read either cross-eyed or wall-eyed. In such autostereograms, both types of reading will produce similar depth interpretation, with the exception that the cross-eyed reading reverses the depth (images that once popped out are now pushed in).

However, icons in a row do not need to be arranged at identical intervals. An autostereogram with varying intervals between icons across a row presents these icons at different depth planes to the viewer. The depth for each icon is computed from the distance between it and its neighbor at the left. These types of autostereograms are designed to be read in only one way, either cross-eyed or wall-eyed. All autostereograms in this article are encoded for wall-eyed viewing, unless specifically marked otherwise. An autostereogram encoded for wall-eyed viewing will produce incoherent 3D patterns when viewed cross-eyed. Most Magic Eye pictures are also designed for wall-eyed viewing.

The following wall-eyed autostereogram encodes 3 planes across the x-axis. The background plane is on the left side of the picture. The highest plane is shown on the right side of the picture. There is a narrow middle plane in the middle of the x-axis. Starting with a background plane where icons are spaced at 140 pixels, one can raise a particular icon by shifting it a certain number of pixels to the left. For instance, the middle plane is created by shifting an icon 10 pixels to the left, effectively creating a spacing consisting of 130 pixels. The brain does not rely on intelligible icons which represent objects or concepts. In this autostereogram, patterns become smaller and smaller down the y-axis, until they look like random dots. The brain is still able to match these random dot patterns.

The distance relationship between any pixel and its counterpart in the equivalent pattern to the left can be expressed in a depth map. A depth map is simply a grayscale image which represents the distance between a pixel and its left counterpart using a grayscale value between black and white. By convention, the closer the distance is, the brighter the color becomes.

Using this convention, a grayscale depth map for the above autostereogram can be created with black, gray and white representing shifts of 0 pixels, 10 pixels and 20 pixels, respectively. A depth map is the key to creation

Easy Simple wallpaper

Simple wallpaper

This is an example of a wallpaper with repeated horizontal patterns. Each pattern is repeated exactly every 140 pixels. The illusion of the pictures lying on a flat surface (a plane) further back is created by the brain. Non-repeating patterns such as arrows and words, on the other hand, appear on the plane where this text lies.Stereopsis, or stereo vision, is the visual blending of two similar but not identical images into one, with resulting visual perception of solidity and depth.[8] In the human brain, stereopsis results from complex mechanisms that form a three-dimensional impression by matching each point (or set of points) in one eye's view with the equivalent point (or set of points) in the other eye's view. Using binocular disparity, the brain derives the points' positions in the otherwise inscrutable z-axis (depth).

When the brain is presented with a repeating pattern like wallpaper, it has difficulty matching the two eyes' views accurately. By looking at a horizontally repeating pattern, but converging the two eyes at a point behind the pattern, it is possible to trick the brain into matching one element of the pattern, as seen by the left eye, with another (similar looking) element, beside the first, as seen by the right eye. With the typical wall-eyed viewing, this gives the illusion of a plane bearing the same pattern but located behind the real wall. The distance at which this plane lies behind the wall depends only on the spacing between identical elements.

Autostereograms use this dependence of depth on spacing to create three-dimensional images. If, over some area of the picture, the pattern is repeated at smaller distances, that area will appear closer than the background plane. If the distance of repeats is longer over some area, then that area will appear more distant (like a hole in the plane).


This autostereogram displays patterns on three different planes by repeating the patterns at different spacings.People who have never been able to perceive 3D shapes hidden within an autostereogram find it hard to understand remarks such as, "the 3D image will just pop out of the background, after you stare at the picture long enough", or "the 3D objects will just emerge from the background". It helps to illustrate how 3D images "emerge" from the background from a second viewer's perspective. If the virtual 3D objects reconstructed by the autostereogram viewer's brain were real objects, a second viewer observing the scene from the side would see these objects floating in the air above the background image.

The 3D effects in the example autostereogram are created by repeating the tiger rider icons every 140 pixels on the background plane, the shark rider icons every 130 pixels on the second plane, and the tiger icons every 120 pixels on the highest plane. The closer a set of icons are packed horizontally, the higher they are lifted from the background plane. This repeat distance is referred to as the depth or z-axis value of a particular pattern in the autostereogram. The depth value is also known as Z-buffer value.

Autostereogram

An autostereogram is a single-image stereogram (SIS), designed to create the visual illusion of a three-dimensional (3D) scene from a two-dimensional image in the human brain. In order to perceive 3D shapes in these autostereograms, the brain must overcome the normally automatic coordination between focusing and vergence.

The simplest type of autostereogram consists of horizontally repeating patterns and is known as a wallpaper autostereogram. When viewed with proper vergence, the repeating patterns appear to float above or below the background. The Magic Eye books feature another type of autostereogram called a random dot autostereogram. One such autostereogram is illustrated above right. In this type of autostereogram, every pixel in the image is computed from a pattern strip and a depth map. Usually, a hidden 3D scene emerges when the image is viewed with the correct vergence.

Autostereograms are similar to normal stereograms except they are viewed without a stereoscope. A stereoscope presents 2D images of the same object from slightly different angles to the left eye and the right eye, allowing the brain to reconstruct the original object via binocular disparity. With an autostereogram, the brain receives repeating 2D patterns from both eyes, but fails to correctly match them. It pairs two adjacent patterns into a virtual object based on wrong parallax angles, thus placing the virtual object at a depth different from that of the autostereogram image.

There are two ways an autostereogram can be viewed: wall-eyed and cross-eyed. Most autostereograms (including those in this article) are designed to be viewed in only one way, which is usually wall-eyed. Wall-eyed viewing requires that the two eyes adopt a relatively parallel angle, while cross-eyed viewing requires a relatively convergent angle.

Quantum dots

Quantum dots are particularly significant for optical applications due to their theoretically high quantum yield. In electronic applications they have been proven to operate like a single-electron transistor and show the Coulomb blockade effect. Quantum dots have also been suggested as implementations of qubits for quantum information processing.

The ability to tune the size of quantum dots is advantageous for many applications. For instance, larger quantum dots have spectra shifted towards the red compared to smaller dots, and exhibit less pronounced quantum properties. Conversely the smaller particles allow one to take advantage of quantum properties.


Researchers at Los Alamos National Laboratory have developed a wireless device that efficiently produces visible light, through energy transfer from thin layers of quantum wells to crystals above the layers.Being zero dimensional, quantum dots have a sharper density of states than higher-dimensional structures. As a result, they have superior transport and optical properties, and are being researched for use in diode lasers, amplifiers, and biological sensors. Quantum dots may be excited within the locally enhanced electromagnetic field produced by the gold nanoparticles, which can be observed from the surface Plasmon resonance in the photoluminescence excitation spectrum of (CdSe)ZnS nanocrystals. High-quality quantum dots are well suited for optical encoding and multiplexing applications due to their broad excitation profiles and narrow/symmetric emission spectra. The new generations of quantum dots have far-reaching potential for the study of intracellular processes at the single-molecule level, high-resolution cellular imaging, long-term in vivo observation of cell trafficking, tumor targeting, and diagnostics.

Colloidal semiconductor nanocrystals

Colloidal synthesis
Colloidal semiconductor nanocrystals are synthesized from precursor compounds dissolved in solutions, much like traditional chemical processes. The synthesis of colloidal quantum dots is based on a three component system composed of: precursors, organic surfactants, and solvents. When heating a reaction medium to a sufficiently high temperature, the precursors chemically transform into monomers. Once the monomers reach a high enough supersaturation level, the nanocrystal growth starts with a nucleation process. The temperature during the growth process is one of the critical factors in determining optimal conditions for the nanocrystal growth. It must be high enough to allow for rearrangement and annealing of atoms during the synthesis process while being low enough to promote crystal growth. Another critical factor that has to be stringently controlled during nanocrystal growth is the monomer concentration. The growth process of nanocrystals can occur in two different regimes, “focusing” and “defocusing”. At high monomer concentrations, the critical size (the size where nanocrystals neither grow nor shrink) is relatively small, resulting in growth of nearly all particles. In this regime, smaller particles grow faster than large ones (since larger crystals need more atoms to grow than small crystals) resulting in “focusing” of the size distribution to yield nearly monodisperse particles. The size focusing is optimal when the monomer concentration is kept such that the average nanocrystal size present is always slightly larger than the critical size. When the monomer concentration is depleted during growth, the critical size becomes larger than the average size present, and the distribution “defocuses” as a result of Ostwald ripening.

There are colloidal methods to produce many different semiconductors, including cadmium selenide, cadmium sulfide, indium arsenide, and indium phosphide. These quantum dots can contain as few as 100 to 100,000 atoms within the quantum dot volume, with a diameter of 10 to 50 atoms. This corresponds to about 2 to 10 nanometers, and at 10 nm in diameter, nearly 3 million quantum dots could be lined up end to end and fit within the width of a human thumb.

Large quantities of quantum dots may be synthesized via colloidal synthesis. Colloidal synthesis is by far the cheapest[citation needed] and has the advantage of being able to occur at benchtop conditions. It is acknowledged[citation needed] to be the least toxic of all the different forms of synthesis.

Easy To You

Moore was a receptionist at WABB in 1958, but this seemly small position under the Mobile Register-owned station would lead to speaking before a wide radio audience with her low tone voice, earning the liking of one WABB announcer. Radio and TV commercials, including a televised March of Dimes PSA featuring Moore as a donor would earn her something more than a year after working for WABB and WKAB radio, the daily half-hour program "Channel 10 Kitchen" on WALA-TV after the previous chef had to leave for health reasons. There was only one problem Channel 10 managed to deal with and that was the fact that Dot was not a cook. WALA's solution was to find a professional chef and let Moore assist before the viewers. Dot also got the last remark in the program's live commercials sponsored by General Electric. Even after retirement, Dot was not very fond of cooking herself, yet up until the very end of her career, she was still seen speaking to her cooking guests in the studio kitchen. Amazing enough, Dot managed to keep her son well nourished on something as easy to prepare as tuna fish casserole, in which Bobby would joke about at times. After the cooking show contract was finished, Dot returned to radio as a commercial copy writer in the WALA radio traffic department. There were also times when the TV side of the building called upon Dot for their commercials or public service spots. She was fired after a dispute with the new radio manager over paperwork that violates broadcasting rules in general. Termination gave Dot time to free-lance in media during the early 1960s. In this busy period of trying to stay in Gulf Coast media and keeping things well at home, Dot was actually contacted by a WALA-TV announcer who wanted her to co-host the station's new program "Poolside" from the Admiral Semmes Hotel in downtown Mobile. Dot accepted the job and continued to expand her horizons, both creatively and physically. After a successful run of "Poolside", Dot returned to free-lancing, including some work for Gayfer's department store and their commercials for Pensacola station WEAR-TV. Just when Dot was getting ready to step out of the public eye after a week of commercials and public appearances in Pensacola, a friend employed at WALA stopped by the Gayfer's store to deliver her some good news. A new afternoon talk show of her very own was set to premiere on the following Monday, with all the guests booked for that week. On May 14, 1963, "Dot Moore & Company" went the air between 12:00 p.m. and 12:30 p.m.. The radio manager who had fired Dot previously was eventually fired shortly after learning of her return from his TV counterpart. Viewers from south Mississippi to the Florida panhandle also got to see Dot help WALA cover Mobile's Mardi Gras Day celebration for 33 years. Ten years after "Dot Moore & Company" went on the air, Dot was given an on-air partner named Danny Treanor and the show became known as "Gulf Coast Today" in 1973. The 9:00 a.m. program following NBC's "Today" continued with this format for the next four years until Dot regained the position of host and producer of the show. In September 1979, "Gulf Coast Today" began airing once a week before it once again bore Dot's name. "The Dot Moore Show" would remain on WALA's schedule well into the 21st century.

Easy Dot Moore

Born in Pensacola, Florida before her family moved to Mobile at the age of 12, Dorothy "Dot" Fillette had her young mind and eyes set on becoming an actress, an early indication of what was soon to come many years later. One indication was her attempt at imitating movies such as those featuring Joan Crawford, whom Dot viewed on days when she voluntarily skipped school. Eventually she concluded that theater didn't have a particular lure, even though she managed to perform on stage locally. Dot's interests to perform before an audience would resurface during her years on television, as it gave her an easy, yet natural feeling. Before fulfilling her lifelong dreams, Moore would finish her schooling at Leinkauf Elementary and Murphy High School before her first job as a secretary close to her father, who was in the steam ship business. After being around ships came a Registrar position at the University of Alabama Expansion Center, sharpening her future interview skills in the process. While at the university, Dot was offered a place in the U.S. Army Corps of Engineers office in downtown Mobile and the U.S. Air Force office at Brookley Field. The investigative position at the Air Force office would come shortly after marrying Baltimore native Robert Joseph Miller. Unfortunately her husband died from TB, leaving Dot and 2-year-old year boy Bobby behind. Following her husbands' death, Dot opened "Dot's Dress Shoppe". One day at this Springhill Avenue establishment, Dot met the two ladies who would introduce her to both the radio and television business, a radio personality going on vacation and Connie Bea Hope who invited Dot over to her television show. Five years after Bob Miller's untimely death, Dot would meet her second husband Lon Stephens Moore of Missouri on account of a friend inviting him over to her Dauphin Street home. Yet again, illness would halt Dot's marriage and the two people Mr. Moore knew very briefly were left alone again. Weeks after a period of mourning, Dot went back to work after finding a job at the same radio station that introduced her to broadcasting, WABB.